Ponson du Terrail: A Toss-up for a Husband

One of my favourite authors is Ponson du Terrail. He really works best in his longer works – his tales that go on for thousands of pages. Very little of his work is in English. Here is something for those interested:

A TOSS-UP FOR A HUSBAND.

 

FROM THE FRENCH OF VISCOMTE PONSON DU TERRAIL.

I.

THE Marchioness was at her toilet. Florine and Aspasia, her two ladies’ maids, were busy powdering, as it were with hoar-frost, the bewitching widow.

She was a widow, this Marchioness, a widow of twenty-three; and wealthy, as very few persons were any longer at the court of Louis XV., her godfather.

Three-and-twenty years earlier, his Majesty had held her at the baptismal font of the chapel at Marly, and had settled upon her an income of a hundred thousand livres, by way of proving to her father, the Baron Fontevrault, who had saved his life at the battle of Fontenoy, that Kings can be grateful, whatever people choose to say to the contrary.

The Marchioness then was a widow. She resided, during the summer, in a charming little chateau, situated half-way up the slope overhanging the water, on the road from Bougival to Saint Germain. Madame Dubarry’s estate adjoined hers; and on opening her eyes she could see, without rising, the white gable-ends and the wide-spreading chestnut-trees of Luciennes, perched upon the heights. On this particular day—it was noon—the Marchioness, whilst her attendants dressed her hair and arranged her head-dress with the most exquisite taste, gravely employed herself in tossing up, alternately, a couple of fine oranges, which crossed each other in the air, and then dropped into the white and delicate hand that caught them in their fall.

This sleight-of-hand—which the Marchioness interrupted at times whilst she adjusted a beauty-spot on her lip, or cast an impatient glance on the crystal clock that told how time was running away with the fair widow’s precious moments—had lasted for ten minutes, when the folding-doors were thrown open, and a valet, such as one sees now only on the stage, announced with pompous voice—“The King!”

Apparently, the Marchioness was accustomed to such visits, for she but half rose from her seat, as she saluted with her most gracious smile the personage who entered.

It was indeed Louis XV. himself—Louis XV. at sixty-five; but robust, upright, with smiling lip and beaming eye, and jauntily clad in a close-fitting, pearl-grey hunting-suit, that became him to perfection. He carried under his arm a handsome fowling-piece, inlaid with mother-of-pearl; a small pouch, intended for ammunition alone, hung over his shoulder.

The King had come from Luciennes, almost alone, that is to say with a Captain of the Guard, the old Marshal de Richelieu, and a single equerry on foot. He had been amusing himself with quail-shooting, loading his own gun, as was the fashion with his ancestors, the later Valois and the earlier Bourbons. His grandsire, Henry IV., could not have been less ceremonious.

But a shower of hail had surprised him; and his Majesty had no relish for it. He pretended that the fire of an enemy’s battery was less disagreeable than those drops of water, so small and so hard, that wet him through, and reminded him of his twinges of rheumatism.

Fortunately, he was but a few steps from the gateway of the chateau, when the shower commenced. He had come therefore to take shelter with his god-daughter, having dismissed his suite, and only keeping with him a magnificent pointer, whose genealogy was fully established by the Duke de Thchelieu, and traced back, with a few slips in orthography, directly to Nisus, that celebrated greyhound, given by Charles IX. to his friend Ronsard, the poet.

“Good morning, Marchioness,” said the King, as he entered, putting down his fowling-piece in a corner. “I have come to ask your hospitality. We were caught in a shower, at your gate—Richelien and I. I have packed off Richelieu.”

“Ah, Sire, that wasn’t very kind of you.”

“Hush I” replied the King, in a good-humored tone. “It’s only mid-day; and if the Marshal had forced his way in here at so early an hour, he would have bragged of it every where, this very evening. He is very apt to compromise one, and he is a great coxcomb too, the old Duke. But don’t put yourself out of the way, Marchioness. Let Aspasia finish this becoming pile of your head-dress, and Florine spread out with her silver knife the scented powder that blends so well with the lilies and the roses of your bewitching face . . . . Why, Marchioness, you’re so pretty, one could eat you up

“You think me so, Sire?”

“I tell you so every day. Oh, what fine oranges!”

And the King seated himself upon the roomy sofa, by the side of the Marchioness, whose rosy finger-tips he kissed with an infinity of grace. Then taking up one of the oranges that he had admired, he proceeded leisurely to examine it.

“But,” said he at length, “what are oranges doing by the side of your Chinese powder-box and your scent-bottles? Is there any connection between this fruit and the maintenance—easy as it is, Marchioness—of your charms?”

Books Bought

I got hold of a number of Jules Verne titles from his Extraordinary Voyages series which I am looking forward to reading. All of them are translated into Italian. The titles are:

1) La Stella del Sud (L’Étoile du sud) [The Southern Star]

2) Un prete nel 1839 (Un prête en 1839) [A Priest in 1839]

3) Borse di Viaggio (Bourses de voyage) [Travelling Bags]

4) Le avventure di Ettore Servadac, Attraverso il mondo solare (Hector Servadac, voyages et aventures a travers le monde solaire) [Hector Servadac, Voyages and Adventures around the Solar World]

5) César Cascabel

6) Racconti di ieri e di domani [Tales of Yesterday and Tomorrow]

7) Il superbo Orinoco (Le superbe Orénoque) [Superb Orénoque]

8 ) Il castello dei Carpazi (Le chateau des Carpathes) [The Castle in the Carpathians]

9) Claudius Bombarnac

10) Di fronte alla bandiera (Face au drapeau) [Facing the Flag]

Gustave Kahn

Today I finally got hold of a book I have been looking for for years:

Gustave Kahn: La Principessa solare

He was an important French symbolist writer.

Li Yu, Charming blossoms . . .

Here is another poem by Li Yu. This one was also translated by my friend Bo Jiang and myself and was also originally printed in the same anthology mentioned in my first Li Yu post:

Charming blossoms in the grove are saying goodbye to crimsoning spring,

They are gone too soon,

It cannot be helped though since cold rain comes in the morning and rain at night.

 

She is crying; rouge melts with tears,

I am drunk with her asking me to stay,

“When will you be back?”

It is natural that the river keeps flowing east,

And men always feel regret.

Li Yu, Alone I ascended . . .

The following is a brief bio of Li Yu and a poem he wrote. This was translated by my friend Bo Jiang and myself from the Chinese. It was originally published in an anthology called Literature of Asia, Africa and Latin America (Prentice Hall 1999).

Li Yu [937-978] was the sixth son of Li Jing. He was enthroned in 961 at the age of twenty-four and was emperor of South Tang for fifteen years. In 975 his country was invaded by the Sung and conquered, leaving him in the position of a mere titular noble. On July 7, 978 the emperor Shong Tai Chong compelled him to take poison and he died at the age of forty-two. Most of his famous poetry was written in the period after his fall from power when he was forced to sit idly by and watch his country ruled by another.

A poem:

 

Alone I ascended West Tiered Manor in silence,

While the moon appeared like a hook.

The cool fall was locked in this maple garden, calm and quiet;

 

This thing cannot be cut,

It gets more messy trying to straighten out.

A melancholy departure,

And a raw feeling in my heart.

Mysteries of the Court of London

A few months back I bought a book called Mysteries of the Court of London, by George M. Reynolds. Well, it is actually a book in ten volumes, each volume being about 500 pages. So, it is a 5,000 page novel essentially-which is about three times as long as War and Peace. Now, when I bought the set, I was perfectly aware that Reynolds had written a book titled Mysteries of London, but somehow imagined that it was part of Mysteries of the Court of London. Now, after seeing some of the text of the previously mentioned work, I have discovered that it is completely different, though equally as long! Apparently, the two works together are made up of 4.5 million words. As they were written over a twelve year period however, this averages about 1,100 words a day, or about four pages, which is quite a lot, but not phenomenal. What is phenomenal however, is that in this same period he completed another 11 series, including Mysteries of the Court of Naples and Mysteries of Old London. As these titles are very difficult to come  by however, I am uncertain about the lengths.

Here is a little taste from Mysteries of London:

Women press their little ones to their dried-up breasts in the agonies of despair; young delicate creatures waste their energies in toil from the dawn of day till long past the hour of midnight, perpetuating their unavailing labour from the hour of the brilliant sun to that when the dim candle sheds its light around the attic’s naked walls; and even the very pavement groans beneath the weight of grief which the poor are doomed to drag over the rough places of this city of sad contrasts.
    For in this city the daughter of the peer is nursed in enjoyments, and passes through an uninterrupted avenue of felicity from the cradle to the tomb; while the daughter of poverty opens her eyes at her birth upon destitution in all its most appalling shapes, and at length sells her virtue for a loaf of bread.
    There are but two words known in the moral alphabet of this great city; for all virtues are summed up in the one, and all vices in the other: and those words are
    WEALTH.    |    POVERTY.  

Ponson du Terrail books

Ponson du Terrail has become one of my favourite authors. I plan to post a story of his here, once I can get it together. In the mean time, here is an incomplete catologue of the books of his that I have. The reason it is incomplete is a) I am not sure if I have counted all the books of his that I have, and b) I have not listed the copies I have of alternative titles (in the Rocambole series I have a number of these). All titles are in Italian, since that is the language I am reading Terrail in.

1. Un paggio di Luigi XIV

2. Dragonne e Mignonne

3. Il nuovo maestro di scuola

4. Il secreto di Dottor Rousselle

5. Il romanzo d’una cospirazione

6. Le maschere rosse

7. Il grillo del mulino

8. L’Organetto

9. La fatta d’Auteuil

10. I cavalieri della notte

11. La regina delle gitane

12. Il re degli zingari

13. Il brigadiere la jeunesse

14. La Madre miracolo

15. L’Armajuolo di Milano

16. I bellimbusti

17. Memorie d’un gendarme

18. Rossignol il libro pensatore

19. Inglese e Cinese

20. Il capitano dei penitenti neri

21. Il castello del diavolo

22. La buca di Satana

23. Un delitto di gioventu’

24. La Bella argentiera

25. La favorita del Re di Navarra

26. Gli amori della bella Nancy

27. Le avventure del Fante di fiori

28. La notte di S. Bartolomeo

29. La Regina delle barricate

30. Il bel Galaor

31. La seconda gioventù di Re Enrico

32. L’eredita misteriosa

33. Il club di fanti di cuori

Baron Corvo

Anyone who has read my book The Translation of Father Torturo probably knows what a big fan I am of Baron Corvo.

A few posts back I mentioned a book I edited that never ended up getting released. One of the stories in the book, The Armed Hands, was by the Baron.

Below is a brief bio and the story itself:

Frederick William Rolfe, Baron Corvo (London 1860 – Venice 1913)

Undoubtedly one of the most eccentric authors of all time, Frederick Rolfe, often using the pseudonym of Baron Corvo, wrote numerous books and short stories, all of which, to varying degrees, have been condemned to obscurity. After a failed attempt at becoming a priest he lived in poverty, working sometimes as an artist, journalist or photographer, cultivating friends and turning them into enemies, and stubbornly writing masterpieces that would never sell. Some of his first literary productions appeared in The Yellow Book and were collected in Number Six in the Bodley Booklets and then with addition tales as In His Own Image (1900). Some of his other works are Stories Toto Told me (1898), Chronicles of the House of Borgia (1901) and Don Tarquinio (1905). He spent his last years in Venice where, due to poverty, he was often forced to sleep in the bottom of his gondola. The book Hadrian the Seventh (1904) is commonly considered his masterpiece, though the novel Nicholas Crabbe certainly deserves re-evaluation.

The Armed Hands

Life is a grotesque series of magic-lantern pictures: at least, mine is. I am among a heavily-breathing intense mob, in the dark. Suddenly, the Showman flashes before me a brilliant disc of a picture quite unrelated to its surroundings. It stays, during a moment-I don’t know how. It means-I can’t think what. It vanishes-I don’t know where. And life is obscurely uninteresting as before-I haven’t a notion why.

For example: I saw three blazingly clear pictures at Oxford in Eights Week. I make a point of being up during Eights Week, because (as a physical epicure) I like to see how England’s most recent flesh is coming on. It (as you know) is on view daily, at 16.30 and 18 p.m., on the towing-path between the Osteria Iside and the barges.

On the first morning, Thursday, I went out for a dawdle before my coffee. I prowled, for no earthly reason, a little way up the Via Woodstochiana. Few people are abroad in Oxford at 7 o’clock of the morn, excepting on the paths which lead to Il Piacere de’ Parocchi. Anyhow, Campo Sant’ Egidio and that little bit of Via Woodstochiana were deserted at that particular moment. As the first of my three pictures was exhibited in this neighbourhood, it will be well to precise the spot.

Iginio Ugo Tarchetti

An author that I like very much is Iginio Ugo Tarchetti. I have read most of what he is written in Italian, and I know that a few of his books are available in English. I haven’t read these however, so can’t vouch for the quality of the translations.

Anyhow, here is a brief bio of his followed by a poem called Memento! which I translated, that was published a few years ago in a zine. It is very much in the vein of Poe:

 

  

Iginio Ugo Tarchetti (1839-1869)

I. U. Tarchetti was an Italian writer, who after abandoning a career in the military, settled in Milan, in order to seek his fortune in literature. He wrote articles for diverse periodicals, poems, several novels, including the anti-military Una Nobile Follia (1867) and his masterpiece Fosca (1869, translated as Passion, 1994).  The translation of his book Fantastic Tales (1869, translated 1992) was nominated for a Bram Stoker award in 1992.

 

Memento!

          When I kiss your perfumed lips,

Dear girl, I cannot forget

That a white skull is concealed beneath.          

          When I press your pretty body to mine,

Forget I cannot, dear girl,

That a skeleton is hidden beneath.          

          And in that horrifying vision, I am absorbed,

Whenever you touch or kiss, or lay on me your hand . . .

I feel protruding the cold bones of death!                                                                    

                                                  [Originally published in 'Il Gazzetino', 30 November, 1867]

Xavier de Montépin

I have to say I have a deep love for cheap 19th century novels. There is a certain low-brow charm about them that is difficult to articulate. Anyhow, one of the books I am currently reading is by Xavier de Montépin and is called I Misteri dell’India. It is about a young English gentleman who goes to India and finds himself the amorous subject of an Indian princess who is fond of makings use of sleeping potions, large silent servants who keep their arms crossed and suppers in the recesses of abandoned temples in the jungle.

 

The sequel, which I haven’t begun yet, is titled Il Velo e l’Anello. These books were originally written in French, but I am reading the Italian translations. It is a shame that this author has never been put into English. Not that many people would read him even if he were. But it is still a shame.

De Montépin was a prolific author, hugely popular in his lifetime. I am not sure how many books he wrote, but I myself have a healthy stack and know of a huge number of titles that I have never had the opportunity to read. Here is a brief bio of the author, probably more complete than anything currently available in English on the internet: 

Xavier de Montépin – He was born in Apremont on March 18^th, 1824 and died in Paris on April 30^th, 1902. He began life as a journalist, and wrote in conjunction with the Marquis de Foudras the novels Les chevaliers du lansquenet (10 vols., 1847) and Les viveurs d’autrefois (4 vols., 1848), to which he added many others equally descriptive of the elegant demi-monde. He gained great notoriety by the suppression of his licentious Filles de platre (7 vols., 1855), but continued to produce other voluminous works of a similar character, including Le bigame, Le mari de Marguerite, Confessions de Tulla, Les drames de l’adultere, La comtesse de Nancey, etc. His most famous novel however was La Porteuse de pain. He also assisted the elder Dumas as a playwright.